书间梦蝶——深圳美术馆馆藏国风藏书票特展-看客网-艺术观展指南-艺术展览-艺术元宇宙-NFT数字藏品-展讯官网

藏书票属微型版画艺术，又被誉为“版画珍珠”“纸上蝴蝶”。其贴于书籍的衬页或扉页上，既作为藏书者的标记，又作为书籍美化的一种艺术装饰品。藏书票起源于十五世纪的德国，之后渐次传播到西方各国，最初为欧洲王室、贵族和教士阶层的专属，至近代已为社会各个阶层广泛使用。二十世纪初藏书票传入中国，伴随新兴木刻运动的开展，藏书票逐渐为国人所识且流行开来，很多版画家投身到藏书票的创作中来。到二十世纪八十年代后，版画界又掀起了藏书票创作的热潮，全国大小展览不断。藏书票也越来越被普通读者所知晓和使用。

A bookplate is a miniature work of printmaking art, known as a "a pearl of printmaking" and "a butterfly on paper". It is affixed to the lining or title page of the book, both as a mark for the collector and as a work of art to beautify the book. It is originated in Germany in the 15th century and gradually spread to countries in the West. Originally reserved for the royal family, aristocracy, and clergy in Europe, the bookplates have been widely used in modern times. At the beginning of the twentieth century, bookplates were introduced to China. With the development of the New Woodcut Movement, bookplates gradually became known and popular among Chinese people, and many printmakers devoted themselves to the creation of bookplates. After the 1980s, the printmaking industry again set off a wave of bookplate creation, and exhibitions of various sizes continued nationwide. Bookplates are increasingly known and used by ordinary readers. Within a small space, bookplates record books and art, the world and emotions.

藏书票于方寸之间，记录着书本与艺术，记录着世界与心绪，从古典笔墨中来，从玄思跳跃中来，藏于书中似蝶翩跹飞舞。一路书香，从欧洲发源的藏书票画种在遥远的东方大陆生根，与传统诗意碰撞，又衍生出新的故事。

Derived from classical ink, and leaping from profound thoughts, they are hidden in books like butterflies dancing in the bushes. The art form of bookplates, which originated in Europe, has taken root in the distant eastern continent, colliding with traditional poetry and giving birth to new stories along the fragrance of books.

此次展览甄选深圳美术馆馆藏作品中带有国风元素的藏书票陈列展出，这些作品全部源自深圳美术馆1998年举办的“全国第七届藏书票展览”。百余枚藏书票涉及的国风元素丰富多彩包罗万象，从花鸟虫鱼、建筑风景、金石灵韵、年画剪纸、人物演义等不同角度展现了隽永的东方韵味。将传统文化注入藏书票，既使得藏书票这种“舶来品”体现中国式的文化状态，也让藏书票艺术形态的体现具备了核心和灵魂。每一枚藏书票都蕴含了一段历史，述说着设计者、藏书家、收藏家的故事，有着极高的艺术创造性和视觉美感。藏书票也以其独有的文化魅力，与书香同在，并永久流传。

This exhibition carefully selects and displays bookplates with Chinese cultural elements from the collection of Shenzhen Art Museum. These works are all acquired from the "7th National Bookplate Exhibition" held by Shenzhen Art Museum in 1998. More than 100 bookplates involve a wide range of Chinese cultural elements, showing the meaningful oriental charm from different perspectives such as flowers, birds, insects, fish, architectural landscapes, stone inscriptions, New Year pictures, paper cutting, and legends. Blending traditional culture into bookplates not only reflects Chinese culture in this "imported product" but also gives the artistic form of bookplates a core and soul. Each bookplate contains a history, telling the stories of designers, bibliophiles, and collectors, and embodies high artistic creativity and aesthetics. With its unique cultural charm, the bookplate coexists with the fragrance of books and will be passed down forever.

深圳美术馆始终坚持围绕学术定位展开收藏，多年来逐渐形成以中国画名家经典收藏、精品版画、当代油画、深圳本土艺术、深圳摄影为主要板块的收藏特色。习近平总书记在给中国美术馆的老专家老艺术家回信中强调：“在高质量收藏、高水平利用、高品质服务上下功夫”。藏品是立馆之本，是美术馆开展学术研究、展览策划、教育推广、对外交流等各项工作的重要基础。高质量收藏更是为美术馆专业化建设、高质量发展不断蓄力。深圳美术馆在“立足本土、面向世界，立足时代、面向未来”的新学术定位下，打造了全新的“美在斯”深圳美术馆典藏系列展。“美在斯”源自深圳美术馆所藏、书画名家程十发先生于1986年题赠本馆的书法作品《美在于斯》，寓意美好的事物在此汇聚。此系列将依托馆藏资源，深挖不同板块藏品的学术价值，不定期策划相关展览，为引领社会风尚、传承文化发展汇聚新动能，推动新时代美术馆事业发展迈向新阶段。

Shenzhen Art Museum has consistently focused on collecting in alignment with its academic objectives, gradually establishing a distinctive collection that encompasses classic works by renowned Chinese painters, fine printmaking, contemporary oil paintings, local art from Shenzhen, and photography from the region. In his reply to a letter by veteran experts and artists from the National Art Museum of China, President Xi Jinping called for "painstaking efforts on the part of the museum to improve the quality of its collection, promote its utilization level of artworks, and provide better services."Collections serve as the cornerstone of a museum, providing a vital foundation for its academic research, exhibition curation, educational outreach, and international exchanges. The pursuit of high-quality collections is instrumental in fostering the museum's professional advancement and sustainable high-quality development. Under its refreshed academic mandate of "Rooted in the Local, Facing the World; Anchored in the Present, Looking to the Future" Shenzhen Art Museum has launched a new "Here Unfolds the Beauty" Exhibition Series of Shenzhen Art Museum Collections. The title "Here Unfolds the Beauty" is inspired by a calligraphic piece, "Here Is Unfolding the Beauty," gifted to the museum in 1986 by the esteemed artist Cheng Shifa, symbolizing the convergence of beauty within these walls. This series will leverage the museum's extensive collection, delving deeply into the academic significance of its various segments, and will periodically curate exhibitions to foster new energies in guiding social ethos and sustaining cultural heritage, thereby propelling the museum sector into a new era of advancement.