“图像”是所有绘画与其他视觉艺术创作无法绕过的讨论对象，而“图像（image）”的词根，则来源于拉丁语中的imāgō，意为“相似的副本”。但随着语言学及艺术史的变迁，“image”不仅保留了其原始含义，即“任何视觉画面的副本”或“通过镜像形成的图像”，还扩展出了新的指代。不仅代表着誊写描摹，“image”中与“想象”相连的部分引申出了那些“从心理中生成的画面”。如同古老的柏拉图“洞穴寓言”，“图像”的意指早已超出了洞壁上那些影影绰绰的火光，图像（image）已不仅仅作为现实世界的副本，更在拓展着想象（imagination）中不可知领域的边界。
"image" is a discussion object that cannot be bypassed in all paintings and other visual artistic creations, and the root of "image" comes from the Latin imar, meaning "similar copy". However, with the change of linguistics and art history, "image" not only retains its original meaning, that is, "copy of any visual picture" or "image formed by mirror image", but also expands into a new reference. Not only does it represent a transcription, but the part of the "image" associated with the "imagination" leads to those "psychologically generated images." As in Plato's ancient fable of the cave, the meaning of "image" has long gone beyond the shadowy firelight on the cave walls, and the image has become not only a copy of the real world, but also extends the boundaries of the unknowable realm of imagination.
本次展览的展出艺术家中，蔡琦的绘画同时使用了喷枪与画笔，喷枪所产生的均匀而朦胧的色层，构成了如同“滤镜”般的视觉观感，当周遭在此向后隐去，艺术家对积木与玩具，及其他无机物在仪式感场景中有机化的描绘，伴随着细腻丰满的笔触浮现，达成了主体对视觉中心强烈的抓取；
CAI Qi's painting uses both a spray gun and a brush, and the uniform and hazy color layers produced by the spray gun constitute a visual impression like a "filter". When the surrounding area recurs back here, the artist's organic depiction of blocks, toys, and other inorganic objects in the ceremonial scene emerges with delicate and full brush strokes, achieving a strong grasp of the visual center of the subject.
canapé 200x240cm 布面油画、丙烯 Oil and Acrylic on Canvas 2024
而鲁鲁的创作，对绘画则有着更加玩味的解构，来自艺术史与日常经验的图像作为媒介，在经过处理后以丝网印刷的逻辑，作为艺术家特殊的副本，生成在了麻质画布上，承载图像的腻子与色料被反复地打磨刮擦，粗糙的肌理与痕迹揉杂着其中所承载的信息，是艺术家对传播的警惕，也是对认知秩序的再讨论；
Lulu's creation, on the other hand, has a more playful deconstructing of painting. Images from art history and daily experience, as media, are produced on the hemp canvas with the logic of screen printing after processing, as a special copy of the artist. The putty and color material bearing the image are repeatedly polished and scraped, and the rough texture and traces are mixed with the information contained in it. It is the artist's vigilance to communication and the re-discussion of cognitive order.
阿尔戈斯长眠前的小憩The Rest Before Argo's Eternal Slumber 120x90cm 黄麻、石墨、丙烯、墨水Huangma, Graphite, Propylene, Ink 2024年
林志彬的油画有着细腻的笔触与柔和的色调，水果与静物在林志彬的画面中，有着戏剧化的构图，“平衡感”是其中值得关注的有趣特性，桃子在其中无论是如同传统供果般层累堆叠，还是被纤细红线与轻盈蕾丝包裹牵拉，桃子的鲜润饱满与力的平衡，营造出了独特的静谧与美感；
Lin Zhibin's oil paintings have delicate brushstrokes and soft tones. Fruit and still life in Lin Zhibin's paintings have a dramatic composition, and the "sense of balance" is an interesting feature worth paying attention to. Whether peaches are stacked in layers like traditional fruits, or wrapped and pulled by thin red lines and light lace, peaches are fresh, full and balanced with strength. Create a unique tranquility and beauty;
隐逸系列十八Seclusion series·18 36x51cm 布面油画 Oil on canvas 2024
杨金玉对图像的处理彰显着鲜明的个体语言，在他的绘画中，颜色的使用干净、纯粹，明确边界的色块构成了形象与景象，惬意的场景与诗性的构图建构了充满湉静气息的画面，它们可以是独立而纯粹的自然环境，也可以是有着少量人物点缀的精神居所，杨金玉的笔下，有着为观者编织的悠长而浪漫的假期。
Yang Jinyu's processing of images highlights a distinctive individual language. In his paintings, the use of colors is clean and pure, and the color blocks with clear boundaries form the image and scene. The pleasant scene and poetic composition constructed a picture filled with Jingtian's breath. There are long and romantic holidays woven for the viewer.
水花之十The Splash·10 80x100cm 布面油画 Oil on Canvas 2024年
图像从副本到想象的认知转变，正如苏珊·桑塔格在20世纪摄影术出现后所指出的，绘画中的图像，已然超越作为物质世界副本的限制，成为了链接个体认知与外在世界的桥梁，艺术家笔下的图像，不断以其独特的方式，承载最精妙的灵感与表达，拓展着想象的边界与思考的维度。
As Susan Sontag pointed out after the emergence of photography in the 20th century, the image in painting has gone beyond the limitation of being a copy of the material world and has become a bridge linking individual cognition and the external world. The images under the artist's pen continue to carry the most exquisite inspiration and expression in their unique ways. It expands the boundaries of imagination and the dimensions of thinking.
蔡 琦
Cai Qi
2000年出生于北京，2020年毕业于央美附中，2024年本科毕业于中央美术学院油画系四工作室，同年硕士保送中央美术学院油画系三工作室。现生活、工作于北京。
展览经历有：细流，Gustar Art Space，北京，2024；中韩友好交流展 “情“，北京，2022；FUTUR WK gallery，北京，2021；2021Hrd日本联展，东京银座，2021，作品也曾参展ART021等大型艺博会。
He was born in Beijing in 2000, graduated from Central American High School in 2020, graduated from Studio 4 of Oil Painting Department of Central Academy of Fine Arts in 2024, and was recommended for master's degree in Studio 3 of Oil Painting Department of Central Academy of Fine Arts in the same year. He lives and works in Beijing.
Exhibition experience: Fine Stream, Gustar Art Space, Beijing, 2024；China-South Korea Friendship Exchange Exhibition "Love", Beijing, 2022; FUTUR WK gallery, Beijing, 2021; 2021Hrd Japan Group Exhibition, Ginza, Tokyo, 2021, works have also participated in ART021 and other large-scale art fairs.
鲁 鲁
Lu Lu
1995年出生于辽宁盘锦，本科毕业于东北师范大学，2024年硕士毕业于西南大学，现工作、生活于北京
展览经历有：群展“在河流的尽头举起火光” 七木空间 北京 2024；群展 “秩序之外” 宇宙画廊 杭州 2024；Hi21新锐艺术家集市 798艺术工厂 北京 2023，等。
Born in Panjin, Liaoning Province in 1995, he received his bachelor's degree from Northeast Normal University and his master's degree from Southwest University in 2024. Now he lives and works in Beijing
Exhibition experience: Group exhibition "Raising Fire at the End of the River" Seven Wood Space, Beijing 2024; Group Exhibition "Out of Order" Universe Gallery, Hangzhou 2024; Hi21 New Artists Market 798 Art Factory Beijing 2023, etc.
林志彬
Lin Zhibin
1987年出生于广东揭阳，2007年毕业于广州美术学院附中，2011年、2015年本科、硕士均毕业于广州美术学院油画系，现工作、生活于广东广州。
展览经历有：个展“隐藏的凝视” 三域·汇艺术空间 广州 2023；个展 “谧境” 九月艺术空间 广州 2021；群展”因为有梦，继往开来“两岸青年艺术交流展 广州 2024，等。作品也曾参加“魔灯当代”、“艺术厦门”等大型艺博会。
Born in Jieyang, Guangdong Province in 1987, he graduated from the High School Attached to Guangzhou Academy of Fine Arts in 2007. He graduated from the Oil Painting Department of Guangzhou Academy of Fine Arts in 2011 and 2015 with bachelor's degree and master's degree.
Exhibition experience: Solo exhibition "Hidden Gaze" Three domains · Hui Art Space, Guangzhou 2023; Solo exhibition "Mijing" September Art Space Guangzhou 2021; Group exhibition "Because of a dream, carry on the past and open" Cross-Strait Youth Art Exchange Exhibition Guangzhou 2024, etc. His works have also participated in large-scale art fairs such as "Magic Lamp Contemporary" and "Art Xiamen".
杨金玉
Yang Jinyu
1985年出生于山东临沂。硕士研究生毕业于首都师范大学美术学院油画专业；现任教于临沂大学美术学院；工作、生活于山东临沂。
近期展览经历有：2024 潋滟-杨金玉的绘画，hiart space798，北京；2020 静影-杨金玉油画作品展，济宁美术馆，济宁，中国，等。
Born in 1985 in Linyi, Shandong Province. Master degree in oil painting, School of Fine Arts, Capital Normal University; Currently teaching at Linyi University School of Fine Arts; Works and lives in Linyi, Shandong Province.
Recent exhibition experience: 2024 Yan Yan - Paintings by Yang Jinyu, hiart space798, Beijing; 2020 Quiet Shadow - Yang Jinyu Oil Painting Exhibition, Jining Art Museum, Jining, China, etc.
