金杜艺术中心荣幸宣布，将于2025年2月28日为大家呈现「诗」-- 女性艺术展。
展览由廖雯担任策展人，集结向京、苏亚碧、喻红、孙蛮、潘然、李满⾦、王钰清、王宝菊、童⽂敏九位艺术家，作品涵盖雕塑、软雕塑、绘画、纱绣、影像行为多种艺术形式。
展览持续至4月26日，欢迎大家莅临参观。

《应无所住而生其心》——女性艺术中的诗境表达

Dwelling in Nonattachment, Let the Mind Arise

— Poetic Expressions in Women's Art

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廖雯

Liao Wen

我给这个女性展览命名为“诗”，并不是所谓的“文学”诉求，而是想探讨女性艺术中植根于日常而超然于日常的诗境表达。

向京Xiang Jing ,《一江春水向东流》The River Flows East,2014-2016,玻璃钢着色Fiberglass, painted,组合后尺寸可变Dimensions variable after installation

I have named this exhibition "Poetry" not as a so-called "literary" appeal, but rather to explore the poetic expressions in women's art that are rooted in the everyday yet transcend the ordinary.

苏亚碧Su Yabi,《树》Tree,2023,金属丝编织Iron wire sculpture,400×200cm

日常生活不外乎社会环境和自然环境，人的情感和精神诉求与这两种环境之间的关系是动态的、复杂的，相互依存、相互制约、相互影响，这种复杂性造就了人类生活的可能性和存在感。如何看待自我与环境的关系，取决于每个人的对生命和生活状态的认知。

喻红Yu Hong,《麦粒、煤块和泥土》,Wheat，Coal Bricks，and Clay,2018,布面丙烯Acrylic on canvas,250×300cm

Daily life is nothing more than the social and natural environments. The relationship between human emotions and spiritual desires and these two environments is dynamic and complex, interdependent, mutually restrictive, and mutually influential. This complexity gives rise to the possibilities and sense of existence in human life. How one perceives the relationship between oneself and the environment depends on each individual's understanding of life and their state of existence.

孙蛮 Sun Man,《路的尽头·黄色》The end of the path·Yellow,2003,纸板油画 Oil on cardboard,8.5×12.6cm

《金刚经》有句名言说“应无所住而生其心”，大意是说，不必执着于任何事物、现象外在的色、声、香、味、触、法等六尘，心就不会被束缚，就会澄明，就会自在，以这样的心态去面对生活中的一切，就会在最平凡和乏味的生活中看见美好。

潘然 Pan Ran, 《霁》After Raining, 2024, 布面油彩 Oil on canvas,60×50cm

李满金 Li Manjin,《众生系列NO.38》 The Series of Sentient BeingsNO.38,2017,纸本炭笔水墨水彩 Paper charcoal ink watercolor,55×47cm

There is a famous saying in the Diamond Sutra that goes, "Dwelling in Nonattachment, Let the Mind Arise" This means that one should not cling to any external things or phenomena—such as sights, sounds, smells, tastes, touchs, and mental objects（the "six dusts")—the mind remains unbound, clear, and free. With this mindset, one can face all aspects of life with ease, discovering beauty even in the most mundane and ordinary moments.

王钰清 Wang Yuqing,《日记》Diary,2014,透明欧根纱、丝线 单层刺绣 Transparent organza, silk thread single layer embroidery,30×40cm

这个展览我选择的艺术家及其作品，以女性最细腻和直觉化的感受方式，最单纯和诗意化的表现方式，表达出女性在生存中，最隐秘、入微、真实的内心状态，探索了人与现实和自然的关系。

王宝菊 Wang Baoju,《哈》Breathing Out,2022,影像Video,26’45”

童文敏 Tong Wenmin,《草坪》Lawn,2018,行为，中国重庆中梁村 performance, Chongqing, China ,6'05"

赤身穿着草坪缝制的大衣趴在草坪上，缓慢地，逐渐站起来。Naked in a lawn sewn coat, lying on the lawn, slowly, gradually stand up.

图片由艺术家和空白空间提供/Courtesy the artist and WHITE SPACE

The artists and works I've chosen for this exhibition capture the most delicate and intuitive sensibilities of women, expressing themselves through pure and poetic forms. The innermost, nuanced, and authentic emotional states of women are depicted while the relationship between humans, reality, and nature is explored.

2025年2月14日于宋庄工作室

February 14,2025,Songzhuang Studio