“我，一台相机，快门永开”是小说家克里斯托弗·伊舍伍德（Christopher Isherwood）的重要作品《柏林故事集》（Berlin Stories）的开篇，以此为题，总部位于柏林的户尔空间，第一次在其北京画廊汇集皆在柏林工作的年轻艺术家，并以柏林本身（尤其是柏林的地下文化）为题引，以这座城市的历史想象与现实活力为灵感，打开相机快门，凝聚艺术片刻，连通两个遥远的城市。
配合作品，展览营造了伊舍伍德笔下的柏林夜生活——过去与现实模糊交织，旧时魂灵掺杂当下经验，在流动的城市中，身份、记忆与各式社会现状悉数登场。
"I am a camera with its shutter open" is the first line of the iconic bookBerlin Stories by novelist Christopher Isherwood. Taking the opening of Berlin Stories as the title, the Berlin-based gallery Hua International for the first time gathers young artists working in Berlin at its Beijing branch.The exhibition is inspired by the imaginary history and contemporary vitality of the city of Berlin, particularly its underground culture. As it keeps open the camera shutter, it never ceases to capture artistic moments that connect two distant cities.
In conjunction with the artworks,the exhibition space mimics Isherwood's portrayal of Berlin's nightlife—a realm where the boundaries between past and present blur, and ghosts of bygone eras intermingle with contemporary experiences. The intricacies of identity, memory, and societal norms all emerge against the backdrop of a city in flux.
展览现场，“我，一台相机，快门永开”，2024
exhibition view, I am a camera with its shutter open, 2024
photo by Hai Yang
莱亚·冯·温琴格罗德 Lea von Wintzingerode
Qi 琪，2023
布面油画 Oil on canvas
85 x 60 cm
莱亚·冯·温琴格罗德 Lea von Wintzingerode
台阶景象 treppen szene 2024
布面油画Oil on canvas
120 x 90 cm
莱亚·冯·温琴格罗德 Lea von Wintzingerode
塔克在贝格汉 tucker at berghain 2024
布面油画Oil on canvas
40 x 30 cm
莱亚·冯·温琴格罗德 Lea von Wintzingerode
朋友的幻影 figment of a friend , 2023
布面油画 Oil on canvas
60x48cm
塞巴斯蒂安·维根德 Sebastian Wiegand
前一天晚上，他一直在观察一轮小小的月亮(Tig)
He had spent the night before watching a tiny moon (Tig), 2024
布面油画Oil on canvas
40 x 50 cm
罗莎·乔利 Rosa Joly
窗台 Window Sill, 2011
绢上粉彩
Oil pastel on silk
300 x 350 cm
莱亚·冯·温琴格罗德
Lea von Wintzingerode
1990 年出生在德国拜罗伊特｜现工作生活于柏林
Born in Bayreuth in 1990 | Lives and works in Berlin
莱亚·冯·温琴格罗德毕业于维也纳美术学院和汉堡美术学院。2016 年，在Jutta Koether 教授指导下获得美术硕士学位。
奖项：2020 年巴伐利亚美术奖（Bayerischer Kunstförderpreis für Bildende Künste），2014 年至2015 年Marianne-Defet-Malerei-Stipendium，Marianne und HansfriedrichDefet Stiftung。展览（精选）：“notes on radical love”，奥登伯格艺术协会，德国（个展）（2022 年）；“Bavarian Award for the Advancement of the Arts 2020”，BBK，慕尼黑，德国（群展）（2021 年）；“Laetitia”，Jacky Strenz 画廊，法兰克福/ 梅因，德国（个展）（2020 年）；“City Prince/sses”（与Hugo Vitrani 和Chris Sharp 合作），东京宫，巴黎，法国（群展）（2019 年）；“The Contract”，Lulu Annex（与Chris Sharp 合作），墨西哥城，墨西哥（个展）（2019年）；“The Shelter Hidden in the Eyes”，行为表演，Deichtorhallen，摄影之家，汉堡，德国（2018 年）；“Exhibition Paintings”，Kunst Meran，意大利（群展）（2017 年）；“Independence Day II”，（与Oriane Durand 和 Line Ebert 合作），SII，Sommer Gallery，特拉维夫，以色列（群展）（2017年）；“Marianne Defet Malerei Stipendium”，Kunsthalle Nürnberg，纽伦堡，德国（群展）（2016 年）；“Young Team”，Kunstverein Nürnberg – Albrecht Dürer Gesellschaft，纽伦堡，德国（个展）（2015 年）。
Lea von Wintzingerode studied at the Academy of Fine Arts, Vienna and the University of Fine Arts, Hamburg. In 2016 she graduated with a Master of Fine Arts degree under Prof. Jutta Koether.
Exhibtions (selection): notes on radical love, Oldenburger Kunstverein, DE (Solo) (2022); Bavarian Award for the Advancement of the Arts 2020, BBK, Munich, DE (Group) (2021); Laetitia, Jacky Strenz, Frankfurt/Main, DE (Solo) (2020); City Prince/sses (c: Hugo Vitrani and Chris Sharp), Palais de Tokyo, Paris, FR (Group) (2019); The Contract, Lulu Annex (c: Chris Sharp), Mexico City, MX (Solo (2019); The Shelter Hidden in the Eyes, Performance, Deichtorhallen, Haus der Photographie, Hamburg, DE (2018); Exhibition Paintings, Kunst Meran, IT (Group) (2017); Independence Day II, (c: Oriane Durand and Line Ebert), SII, Sommer Gallery, Tel Aviv, IL (Group) (2017); Marianne Defet Malerei Stipendium, Kunsthalle Nürnberg, Nürnberg, DE (Group) (2016); Young Team, Kunstverein Nürnberg – Albrecht Dürer Gesellschaft, Nürnberg, DE (Solo) (2015).
塞巴斯蒂安·维根德
Sebastian Wiegand
1987 年出生于德国基尔｜现工作生活于德国柏林
Born in 1987 in Kiel, Germany | Lives and works in Berlin
塞巴斯蒂安·维根德从 2008 年到 2015 年在汉堡美术学院跟随 Werner Büttner 教授学习， 同时还在巴黎美术学院(2013-14) 和马德里康普鲁滕斯大 学(2010-11) 深造。自 2016 年以来，他就定居在柏林， 并于 2021 年共同创立了艺术家自营空间 “Scheusal”。他的作品已在国际上展出，最近一次包括比勒费尔德艺术协会 (2023)、柏林斯坦福大学(2023)、马赛的拉特拉弗尔斯(2022) 和东京的 XYZ 集体(2021)。在他的创作实践中，塞巴斯蒂安·维根德将自传细节、艺术历史参考和当下的社会观察相结合，探索了当代具象和叙事绘画的可能性。
Sebastian Wiegand studied from 2008 until 2015 at the Hochschule für Bil- dende Künste in Hamburg with Prof. Werner Büttner, as well as at the École des Beaux-Arts de Paris (2013-14) and the Universidad Complutense de Madrid (2010-11). Since 2016, he has been based in Berlin, where he co-founded the art- ist-run space "Scheusal" in 2021. His work has been interna- tionally shown, most recently at the Kunstverein Bielefeld (2023), Stanford University in Berlin (2023), La Traverse in Marseille (2022), and XYZ Collective in Tokyo (2021). In his practice, Sebastian Wiegand combines autobiographical details, art historical references, and immediate social obser- vations to explore the possibilities of representational and narrative painting today.
尼古拉斯·格拉菲亚
Nicholas Grafia
1990 年出生于菲律宾安赫尔斯城｜现工作生活于德国和法国巴黎
Born in 1990 in Angeles City | Lives and works in Germany, and Paris, France
尼古拉斯·格拉菲亚对现有的历史存档进行干预，将研究、流行文化以及个人经历和艺术史交织，产生出明亮的视觉作品，并通过审视构成历史档案的诸多叙事、以及被纳入其中和排除在外在的个体，来探讨种族和性别的脆弱性。格拉菲亚使用跨学科的工作方法，在行为艺术和绘画领域将酷儿视觉符号与历史图像学并置，发展出其以圆润纤长的形状为特色的视觉风格，采用坎普风格的品红和淡彩色，参考了荒诞主义，并从对后殖民理论的深入阅读中获取灵感
Nicholas Grafia stages interventions into the historical archive, weaving research, popular culture, as well as personal and art histories into his bright visual works, addressing themes of racial and sexual vulnerability by examining who is in- and excluded from the narratives that make up the archive. Working across disciplines, Grafia’s practice in performance and painting juxtaposes queer iconography with the historical – developing a visual style of rounded and elongated shapes, a distinctively camp color palette made up of fuchsia and pastels, that is referential to absurdism and which draws from close readings of post-colonial theory.
罗莎·乔利
Rosa Joly
1986 年出生于法国｜于多地生活工作
Born in 1986 in France | Lives and works between places
罗莎·乔利从事跨媒介艺术创作。在文学和人文学科毕业后，她继续在里昂和汉堡学习美术。她转换艺术工艺，大胆地改变了她从古典雕塑工艺和传统工艺中借来的技术和工具。像炼金术士一样，她通过尝试广泛的材料和物体，常常注定要失败的探索，从事危险的过程，并喜欢挑衅意外的结果。她曾在Bielefeld艺术协会、MEP（巴黎）、The Film Gallery（巴黎）、Scheusal（柏林）、MOM Artspace（汉堡，2019年）、Falckenberg收藏（哈尔堡，2017年）、汉堡艺术馆（2016年）、DOC！（巴黎，2019年）和La Traverse（马赛，2022年）等地举办展览。Rosa Joly在2021年曾是马赛当代艺术中心Triangle-Astérides的驻地艺术家，同时还参与了在柏林创建Scheusal展览空间的工作。
Rosa Joly lives and works between places and in a wide variety of crafts. After graduating in literature and humanities she went on studying Fine Arts in Lyon and in Hamburg. She cultivates the art of diversion and fearlessly bends the techniques and the tools she borrows from classical sculpture processes and traditional craftsmanship. In the manner of an alchemist, experimenting with a wide range of materials and objects in a quest often doomed to fail, she engages in perilous processes and likes to provoke unexpected outcomes. She has exhibited at the Kunstverein Bielefeld, the MEP (Paris), The Film Gallery (Paris), Scheusal (Berlin) MOM Artspace, Hamburg (2019), the Falckenberg Collection, Harburg (2017), Kunsthaus Hamburg (2016), DOC!, Paris (2019) and La Traverse, Marseille (2022). Rosa Joly was a resident of contemporary art centre, Triangle-Astérides, in Marseille in 2021, the year she participated in the creation of Scheusal, an exhibition space in Berlin.
