東京画廊＋BTAP荣幸宣布王舒野个展《朦胧与去蔽》将于9月15日开幕。
本次展览的作品多以故宫为创作题材。故宫是中国的代表性建筑，对王舒野来说，也是他80年代大学时常去借景畅想天地古今的地方，午门前、宫墙外都留下许多寻迹于精神深处的脚步，这次展览呈现的作品把艺术家当时向内深究的意愿延续到对当下感知可能性的探索。展题“朦胧与去蔽”中“朦胧”是艺术家试图呈现的前认识的感知状态，因其是非认识性的视觉，也自然呈现出朦胧的状态。“去蔽”指的是超越日常观看方式的局限，并从而开显出被其遮蔽的直通世界整体和直指存在本身的感知可能性。运用这样的感知方式，不用仰望星空，只是观看室内一隅，我们也可能感知至大无外的存在的整体。艺术家把周知的景观转换为“前认识的视觉感知表现”作为常用手法，以之强调对惯常的认识性视觉感知的颠覆和反向增补。
王舒野的创作所围绕的“感知去蔽”的原创性方法论实验，主要基于对现实中人与世界的关系的反思。日常生活中，人们总是封闭于人本位、自我本位感知立场。如果文明的走向过度偏颇于人本位的诉求，那无疑是危险的，人心也将会愈加不得安宁，王舒野认为“艺术的可贵之处不在于能够呈现人的自我表达，而在于能够开启人的自我超越其感知局限的可能性”。用去除认识性感知清空自我并且超越对象化世界观，让清空了的自我反映或融入世界整体和存在本身的永恒无限，既是一种极致的诗意，也是一种终极的肯定和解放。
本次展览将持续至11月9日，欢迎您莅临参观。
Tokyo Gallery + BTAP is pleased to announce the opening of Wang Shuye's solo exhibition, Obscurity and Un-Shielding, on September 15th.
The works in this exhibition are inspired by the subject of the Forbidden City. Being an iconic Chinese architecture, the Forbidden City is also where Wang Shuye imagined the world in the past and present during his studies in the 1980s. In front of the Meridian Gate and outside of the palace walls, Wang left footsteps while searching for the depths of his spirit. The works presented in the exhibition extend from the artist's willingness to look deeper into the world's interior from that time to explore the possibilities of the perception of the present. The exhibition title, "Obscurity and Un-shielding," in which the former suggests a pre-cognitive perception that naturally relies on perception without visual recognition, while the latter points to the limitation in perceptions that transcend the everyday, thereby opening the instinctive sensibilities that would directly reach the world and the possibilities of the essence of being. Applying such a perceptual approach, one wouldn't have to look up the stars, but being inside the room nevertheless allows one to understand the world as it is. It is possible to perceive the entirety of our being, which is boundless, while the artist translates his immediate surroundings into "representations of pre-cognitive perception." This common approach has thus become the way by which Wang emphasizes the subversion and reverse supplementation of the usual cognitive perceptions.
Wang Shuye's practice revolves around his original approach of "perceptual un-shielding," primarily grounded on his reflection of real people and their relationships with the world. In daily life, people are often confined to essentialist and egoistic perceptions. Should the direction of civilization excessively skew towards humanistic aspirations, it would undoubtedly be dangerous, causing anxiety and restless to people; in Wang Shuye’s view, "The value of art is not only its capacity for human expressions but in its ability to open up the possibilities for humans to transcend the limitations of their perceptions." By eliminating cognitive perception to reset and transcend the objectified worldview, the renewed self would integrate into the world and the eternal infinity of being. Such a way of being would embody the ultimate lyricism, affirmation, and liberation.
This exhibition will be on view until November 9th. We look forward to your visit.
故宫的时空裸相·即（200）110x110cm 油彩、帆布 2024
故宫的时空裸相·即（197）110x200cm 油彩、帆布 2024
王舒野
1963年出生于黑龙江省齐齐哈尔市。1989年毕业于中央工艺美术学院（现：清华大学美术学院）。
1990年移居日本，十年间未发表作品，为探究哲学、宗教等精神思想和视觉艺术而默修独研。期间形成基于现代性反思的原创性艺术方法论：提出“无差别观看”（即非认识性视觉），实验以此来开拓视觉上的“与世界的非对象化关系”；作品以废除了物体认识的现实世界新呈现，来揭示被日常的人本位视角的对象化世界观所遮蔽的非对象化感知维度，并进而揭示该感知维度中的世界的自安自足。这种艺术实验，与其渴望平衡日常生活和现代文明背后的感知偏颇紧密相连。
2001年以来，在多家著名艺术机构连年举办个人艺术展，并应邀参加各种重要国际性联展。2011年获得日本文部科学省文化厅主办的第21届“TAKASHlMAYA美术奖”。现为独立艺术家，工作生活于北京和日本镰仓。“新䑃胧主义”的发起艺术家。
